Dec

2020

漁鄉(xiāng)客舍 | 千島湖金山坪村村落復(fù)建

Fishing Village Guest House | Qiandao LakeJinshanping Village Restoration

2020-12-01

【引言】

2022年亞運(yùn)會(huì)將在我國(guó)的杭州舉辦，主會(huì)場(chǎng)在杭州，分會(huì)場(chǎng)在千島湖畔，而借這次機(jī)會(huì)，圍繞千島湖的亞運(yùn)場(chǎng)館，將會(huì)有一系列的配套設(shè)施建設(shè)。其中，在亞運(yùn)場(chǎng)館邊上的金山坪村，也將迎來(lái)一場(chǎng)復(fù)建，復(fù)建后它將賦予亞運(yùn)村配套的商業(yè)與休閑功能，成為集餐飲、民宿、文創(chuàng)、藝術(shù)展示為一體的特色村落。

【Prologue】

The 2022 Asian Games will be held inHangzhou, China, the main venue in Hangzhou, while the sub-venue in the Qiandao lake. To seize thisopportunity, around the Qiandao Lake Asian Games venue, there will be a seriesof supporting facilities construction . Among them, Jinshanping Village near theAsian Games venue will also witness arestoration. After thereconstruction, it will be endowed with commercial and leisure functions andbecome a characteristic village integrating catering, home stay, cultural and creative idustrial ?as well as art exhibition.

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【策略】

傳統(tǒng)村落的建造，首先應(yīng)該在物理層面上推敲，修復(fù)與保護(hù)、回歸與拓展，重塑傳統(tǒng)聚落形態(tài)，構(gòu)建鄉(xiāng)村風(fēng)貌特色，其次，是在精神層面上努力發(fā)掘，思考與補(bǔ)充、延續(xù)與傳承，梳理出新鄉(xiāng)村文脈。

【Strategy】

The construction of traditional villagesshould, first of all, be deliberated on the physical level, restored andprotected, returned and expanded, reshaped the traditional settlement morphology, and constructed the rural

features and characteristics. Second, exploration should be conducted on the spiritual level, think and supplement, continue and inherit, andtease out the new rural context.

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【村落肌理】

原有村落肌理中蘊(yùn)藏著細(xì)膩豐富的生活痕跡，是建筑師無(wú)法企及的自然成就。我們讓復(fù)建后的“新村落”順應(yīng)這樣的自然肌理，僅在局部根據(jù)現(xiàn)有規(guī)范及業(yè)主的要求進(jìn)行微調(diào)整，做到“以自然為據(jù)，還原村痕跡”，再造一種“去建筑師”化的村落布局，使之顯得更加的自然。

【Village Texture】

The original village texture contains richtraces of life, which is a natural achievement beyond the architects. Thus we restored "new village" by conforming to such a natural texture, while only make some minor adjustments according to theexisting norms and requirements of the owners, so as to achieve the goal of"taking nature as the basis, restoring the traces of the village", and reconstruct a village layout without architects to make it more natural.

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【空間流線】

村落原有道路是居民生活中自然形成的，這樣的路徑是先于房屋的一種存在，是最貼合自然的設(shè)計(jì)，而我們復(fù)建過(guò)程中以原有村落核心道路為依照，將其優(yōu)化整合，形成一條中心路徑，后續(xù)設(shè)計(jì)中各個(gè)核心空間節(jié)點(diǎn)，就在這樣的路徑中展開(kāi)。

村落整體復(fù)建后的功能是以鄉(xiāng)村體驗(yàn)為主的旅游配套，我們必須考慮到人流的組織集散，以及人們?cè)谶@街巷中的空間感受，所以，將原有過(guò)分轉(zhuǎn)折與狹窄的空間進(jìn)行調(diào)整，擴(kuò)大一些空間作為人流聚散的節(jié)點(diǎn)。

【Spatialcirculation】

Original country road isnaturally formed in the residents' everyday life, such a path is a kind of existence before thehouse, is the most appropriate natural design. When we are in the process of reconstruction, ?the original village road is set asreference to in accordancewith, in themeantime, we optimizd and integrated it to formed a centerbackbone, each nodes of core spaces in thesubsequent design, are expandedfrom this path.

After theoverall reconstruction of the village, the main function of the village is to supporttourism based on rural experience. We must take into account the organizationand distribution of people and the spatial experience of people in the alley. Therefore, weadjusted the originalexcessive zigzag and narrowspace, and expand some space to serve as the node for people to gather anddisperse.

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說(shuō)明: 一層平面圖20190508 拷貝+比例尺

【立面構(gòu)成】

我們遵循原有村落固有的天際線，進(jìn)行整合，形成我們立面的邊界。之后分析現(xiàn)狀中村落普遍的立面構(gòu)成，雖是江南常見(jiàn)的粉墻黛瓦，但其也有經(jīng)歲月洗禮過(guò)的美感，所以整體的立面風(fēng)格，我們依舊選用了質(zhì)感白墻，搭配深色木紋板進(jìn)行局部點(diǎn)綴，同時(shí)屋面的小青瓦宛然如故，雖然這一種平淡無(wú)奇的手法，但我們知道，隨著時(shí)間的推移，粗糙的質(zhì)感白墻會(huì)變得斑駁而具顆粒感，傳統(tǒng)的青瓦會(huì)長(zhǎng)出青苔，木紋板色彩會(huì)氧化變暗，之后便回歸到原村落的立面風(fēng)貌。

另外，由于村落功能由原有的居住屬性更新為公共屬性，而原有立面中較小的開(kāi)窗無(wú)法滿足采光與經(jīng)營(yíng)的要求，于是我們?cè)陂_(kāi)窗設(shè)計(jì)上偏向于更現(xiàn)代的大面積開(kāi)窗形式，同時(shí)減少其框架的劃分，外觀更干凈室內(nèi)視野也更開(kāi)闊。

【Fa?adeComposition】

We follow the skyline of the original villageand integrate it to form the profile of our elevation. After analyzing the common facade form of? theexisting village, although itwas ordinary Jiangnan architecture style, but aesthetic was etched on wihite walls and black tiles by years, so in terms of the overall facade style, we choose the white textured coating, ?partly collocate the wood grain steel plate for ornament, and keep the roofing of Chinese style tile as before,although these a prosaic gesture, but we know that, over time, the rough texture of white wall willbecome mottled and grainy, traditional tiles will grow moss, wood grain steel will darken oxide, which then gradually return to facade feature of the original village.?

In addition, since the function of thevillage is updated from the original residential property to the publicproperty, and the small windows in the original facade cannot meet therequirements of lighting and commercial management, therefore we preferd the modern larger windows, and at the same time reduced the division of frame, so that the appearance is cleaner and the indoorvision is broader.

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【單體設(shè)計(jì)】

更新后村落為一個(gè)旅游配套商業(yè)社區(qū)，功能豐富業(yè)態(tài)多樣，如前文所訴，我們遵照原村落建筑肌理進(jìn)行單體設(shè)計(jì)，無(wú)論平面外輪廓還是空間進(jìn)退關(guān)系，都遵照原村。內(nèi)部功能則是在與業(yè)主充分溝通后的基礎(chǔ)上細(xì)心調(diào)理，既滿足各種經(jīng)營(yíng)的要求，又讓內(nèi)部空間靈活豐富，還滿足當(dāng)?shù)卣块T各個(gè)規(guī)定。另外一方面，從建筑學(xué)上的意義講，鄉(xiāng)村實(shí)踐可以避開(kāi)工業(yè)化建設(shè)的一些手段，回歸建構(gòu)，是對(duì)傳統(tǒng)構(gòu)造與材料的一次學(xué)習(xí)，是對(duì)民間建造手法的一次思考和運(yùn)用。

【IndividualDesign】

After the renovation, the village is atourism supporting business community with rich functions in diversified formats. As mentioned above, we design individual architecture in accordance with the original villagetexture, which conforms to the original village in terms of both the planeoutline and the spatial relationship. The internal function is carefullyadjusted on the basis of full communication with the owner, which not onlymeets the requirements of various operations, but also allows the internalspace to be flexible and diverse, and also meets the regulations of localgovernment departments. On the other hand, in the architectonic sense, rural practice can avoid some means ofindustrial construction and return to tectonic, which is astudy of traditional structures and materials and a reflection and applicationof indigenous construction methods.

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村落入口文創(chuàng)展廳 The Cultural and Creative Exhibition hall at the village entrance

我們采取了一個(gè)大膽的策略：整體保留房屋內(nèi)部木質(zhì)結(jié)構(gòu)框架，在緊貼著這套體系設(shè)置外部建筑圍護(hù)系統(tǒng)，這套圍護(hù)系統(tǒng)使用無(wú)框玻璃。木結(jié)構(gòu)成為一個(gè)巨大的永久展品，無(wú)框玻璃幕墻圍護(hù)結(jié)構(gòu)是它的外殼，清晰可見(jiàn)其內(nèi)部精致的建筑木構(gòu)，同時(shí)玻璃幕墻的外輪廓有維持原建筑形態(tài)，保留村落入口的山墻形態(tài)。希望它能喚起人們的想象與回憶，成為新村落最為標(biāo)志性的亮點(diǎn)。

We adopted a special strategy: to retain the wooden structure of the house as a whole, we set up the exteriorbuilding envelope ?with glass rib curtain wall. The wooden structure thus becomes ahuge permanent exhibit. The frameless glass curtain wall is its outer shell,and the delicate architectural timber structure inside is clearly visible.Meanwhile, the outer contour of the glass curtain wall maintains the originalarchitectural form and retains the gable form of the village entrance. We hope it can arouse people's imagination and memoryand become the most symbolic highlight of the new village.

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說(shuō)明: 兩種不同材質(zhì)立面的并置對(duì)比，左側(cè)為保留修復(fù)墻體，肌理感人，右側(cè)為施工中的耐候鋼板

做舊墻體 ?Antique Finish Wall

在村落中，有三棟單體我們進(jìn)行了“原工藝”復(fù)建，“留其外觀，換其內(nèi)核”，門楣的裝飾、水刷石的轉(zhuǎn)折，六邊形、酒瓶型花窗，門頭上的“凌云壯志”與“紫氣東來(lái)”還有“春風(fēng)浩蕩”的題字，都得到了保留，而其內(nèi)部采用全新的混凝土結(jié)構(gòu)替換原有木質(zhì)結(jié)構(gòu)，保證建筑物的牢固與安全。而這三座保留立面的建筑后續(xù)作為藝術(shù)家工作室，傳承更多的鄉(xiāng)土氣息。

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In the village, there arethree individuals we conducted the"original technology" reconstruction, to achieve the goal of "Keep the appearance, change its core", the adornment of the bar, exposed aggregate base , hexagon bottle form window, the calligraphy on the head of door, have been retained, while its internal adopts new concrete structureto replace the original wooden one, ensure thesolid and security of building. The three buildings thatretain the facade will be used as artist studios to inherit more local atmosphere.

藝術(shù)中心 Art Center

在業(yè)主希望的功能中，有一項(xiàng)是集中的雕刻藝術(shù)展示的空間區(qū)，它不僅有建筑內(nèi)部空間，還有一個(gè)室外的場(chǎng)地，滿足多維度的展示需求。由于建筑整體形態(tài)上我們不愿突破原村落的輪廓，所以我們?cè)诓馁|(zhì)上下功夫，使用了干掛混凝土板，體現(xiàn)“鑿石”的效果，為了達(dá)到肌理的自然，采用純?nèi)斯?duì)混凝土板進(jìn)行二次敲鑿，效果斐然。在白墻灰瓦的村落中，這樣一個(gè)混凝土雕鑿的形象將建立其更加獨(dú)特的地位，同時(shí)又可以打破村落建筑風(fēng)格上的沉悶，提升辨識(shí)度，使游客的體驗(yàn)感更豐富。

A sculpture art display space ?is one among the desired functions of the client, which notonly has the interior space of the building, but also has an outdoor site tomeet the multi-dimensional display requirements. As we were unwilling to breakthrough the outline of the original village in the overall form of thebuilding, we made great efforts in the material by utilizing the dry hanging concrete slab to reflect theeffect of "chiseling the stone". In order to achieve the naturaltexture, we used artificial chiseling on the concrete slab for the second processing, which achieved remarkable results. In thevillages with white walls and grey tiles, such a carved concrete image willestablish its unique identity, break the plain of the architectural style ofthe villages, improve the identification, and enrich the experience of tourists.

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